VOLUME VIII
GREGUS, Adam: Shadows Under a Rising Sun: Utopia and Its Dark Side in Kirino Natsuo’s Poritikon (Abstract)
HELM, Katharina: Women’s Pleasure Online? A Contrasting Analysis of One Japanese Mainstream and One Women’s Pornographic Film from the Internet (Abstract)
IMMERVOLL, Thomas: Climate Change Policy in Chinese Online Media Discourse: The Case of the Debate on theCopenhagen Climate Summit 2009 (Abstract)
PEITL, Julia: Japanese and South Korean Official Development Assistance (ODA): A Comparative Analysis of Rhetoric and Behaviour (Abstract)
REIN, Marlen: Power Asymmetry in the Mekong River Basin: The Impact of Hydro-Hegemony on Sharing Transboundary Water (Abstract)
SCHÄFER, Carsten: Chinese Language Press in Austria: Discussing the 2008 Tibetan Unrest in Transnational Spaces (Abstract)
WILLATS, Prudence: China Talks Climate: A Frame Analysis of Discourses on Climate Change and the Environment in the PRC (Abstract)
WÜRRER, Stefan: Writing In/Difference to the M/Other: Kusama Yayoi’s Prose as Proto-Feminist Agency (Abstract)
GREGUS, Adam: Shadows Under a Rising Sun: Utopia and Its Dark Side in Kirino Natsuo’s Poritikon (Abstract)
HELM, Katharina: Women’s Pleasure Online? A Contrasting Analysis of One Japanese Mainstream and One Women’s Pornographic Film from the Internet (Abstract)
IMMERVOLL, Thomas: Climate Change Policy in Chinese Online Media Discourse: The Case of the Debate on theCopenhagen Climate Summit 2009 (Abstract)
PEITL, Julia: Japanese and South Korean Official Development Assistance (ODA): A Comparative Analysis of Rhetoric and Behaviour (Abstract)
REIN, Marlen: Power Asymmetry in the Mekong River Basin: The Impact of Hydro-Hegemony on Sharing Transboundary Water (Abstract)
SCHÄFER, Carsten: Chinese Language Press in Austria: Discussing the 2008 Tibetan Unrest in Transnational Spaces (Abstract)
WILLATS, Prudence: China Talks Climate: A Frame Analysis of Discourses on Climate Change and the Environment in the PRC (Abstract)
WÜRRER, Stefan: Writing In/Difference to the M/Other: Kusama Yayoi’s Prose as Proto-Feminist Agency (Abstract)